Category Archives: Writing

Looking for Mr. Write

One night last week, I entered the “First Paragraph” blog contest that Nathan Bransford was hosting. After copying and pasting the first lines of Jim and Jack into the official comment thread, I got the message that it had been added but might take a while to show. Then I went to bed.

The contest concluded the next day, and that afternoon I checked to make sure my comment had actually gone through. As I maneuvered through the blizzard of entries to comments posted around the time mine was, I happened to read many of the competition’s paragraphs. Some were bad, some were decent, some were fashionably stark, others were the purplest of prose. Then I found mine. After reading everything else, I didn’t even think it sounded that great.

It’s one thing to know that there are millions of writer-wannabes out there, all searching for the same brass ring, but it’s quite another to wade through the slush pile and see that for oneself. Everyone thinks his or her manuscript is the next bestseller, and almost all are certain to be wrong.

I once read a study which purported that (generally) everyone thinks they are good-looking. No matter how homely a person might be, when they see themselves alone in a mirror, they can fully appreciate their own uniqueness. It’s only amongst the masses that one falls short, and the tall, dark and handsome are the ones who always seem to get the girl. However, there are many who might prefer the nice guy with the good sense of humor, if they only got to know him.

I suspect that it’s similar when submitting one’s manuscript, which is why “knowing someone” in this business can make such a difference. Like a well-meaning friend setting up a blind date, a referral affords the opportunity for agents and editors to give a manuscript some individual attention, hopefully allowing them to recognize Mr. Right. That’s why contests like NB’s are so popular – the prize of getting one’s work in front of an agent is like winning The Dating Game. Things might not work out, but at least you have a chance to strut your stuff.

Alas, I didn’t win, but here’s my first paragraph (and just a tad more), of my Half Moon Island History-Mystery, written for gifted boys aged 11-16* who enjoy books like My Side of the Mountain and A Separate Peace:

—–Jack awakened early, the island still in slumber except for the songbirds, whose warbling kept him from rolling over and going back to sleep. Drowsy, he listened for their different voices, identifying a cardinal and then a robin. A mourning dove cooed its gentle trill, and he could hear the distant tapping of a woodpecker. A jay screeched overhead, breaking the peacefulness of the moment. Jack rolled over in the half-light to peer at his identical twin, asleep in the other bed. He was lying on his back with his mouth open, a light snore issuing with each breath.

—–“Jim!” Jack whispered. His brother remained motionless, pajama-clad legs entangled in the white cotton bedspread. With a grin, Jack reached over to the desk and tore a corner off some scrap paper.

* Refer to Previous Post: Considering Asynchronous Development in Book Selection

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Contests Abound

It seems that lately, all kinds of contests for aspiring writers are popping up. Here are the links to three that I just found out about today:

• Former agent Nathan Bransford’s 4th Annual Stupendously Ultimate First Paragraph Challenge.
First Prize: A partial read by his agent, Catherine Drayton of Inkwell Management.
(Contest closes on Thursday at 4pm Pacific Time)

Fiction Groupie Blog contest.
Prize: A query critique by Anita Mumm of Nelson Literary
(To be eligible, you need to comment on both Wednesday’s and Friday’s posts).

DearEditor.com giveaway, by the author of Writing Young Adult Fiction for Dummies.
Prize: a free YA/MG edit.
(Deadline, Jan. 31st)

Good Luck!

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A Picture is Worth 1000 Words

Pope Joan: A Novel

 

I read a good book over the holidays, Pope Joan, by Donna Woolfolk Cross. My book group read it a few years ago, but I was busy at the time and only read the first few pages. I could tell it would be interesting, and always intended to get back to it, but it’s rather thick and I never seemed to have enough spare time to do it justice. This year, when winter vacation arrived, I made a point of getting it from the library.

Now, I’m not one of those writers who complains that they can no longer read a book without critiquing it. In fact, even when I pick up a book with that intent, I am so easily sucked into a story that I forget to notice anything at all unless something is poorly phrased, or there’s a typo. This time, though, after about 250 pages, I became aware of how tiny the type was. Knowing that most books these days, even historical fiction, don’t exceed 125,000 words, I started to wonder when it had been published, and stopped reading long enough to find out. 1996. I then realized why I was enjoying it so much: it had been written before the kill the adverbs/show vs. tell revolution.

Devoid of all signs of the current wisdom on how to write, there was description, and there were adverbs, adjectives and gerunds. There were words other than “said” used as dialogue tags, and it was a behemoth, over 400 pages long, even set in eight-point-type. The point of view moved like quicksilver between the characters, and there was telling mixed with showing. There was even… a cliché.

Many writers have come to think that describing a location or what characters look like robs the reader of the joy of imagining it for themselves, but I disagree. As a former graphic artist, I have a seriously visual imagination. Filling in the blanks doesn’t squelch that, it only serves as a framework for me to build upon. The mention that a character’s eyebrows are bushy doesn’t lock me into a specific image. There are a hundred ways to picture bushy brows, but if I don’t know they are bushy in the first place, I have lost my connection to the author’s vision.

There is an animated children’s show called Caillou, that depicts the action in vignettes floating on whitespace. The viewer doesn’t imagine what might be there instead, there is just nothing. I find it disconcerting, and am more distracted by how the detail stops than I would be if the artists had just added background to the picture.

When an author uses description and flushes out the nuances with adverbs and dialogue tags, it gives their story dimension, adding depth to the world that readers build in their minds. The reader becomes a part of the action, rather than seeing it as frames in a cartoon.

Many recent books do a good job following the restrictions of the current trends and offer a clean and entertaining read, but if given the choice as a reader, I’ll take the old way. Give me adverbs, give me description, give me telling. I want to be in the same room that the characters are, to see the same people they’re looking at. Tell me a great story that I can replay 1000 times in my mind. If I want minimalism, I’ll read a map.

Caillou: Boxed Set (Backpack Series)

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Layinda’s Blog Turns One

Yesterday was the first anniversary of Layinda’s Blog. (Just for the record, I would have come up with a snappier title, but I didn’t realize when creating it that the title is the one thing in the format that can’t be changed later.) (Unless there’s something I don’t know about, which is entirely possible.)

I have nothing but good things to say about writing a blog, and can highly recommend it. Over the course of this year, I have figured out how to insert images, how to link to other sites, and how to use “keywords” effectively. I started out posting Monday through Friday, but when real life intervened, I realized that I wrote better posts if I did them as inspired, rather than on demand. I also think that writing on a regular basis has helped me to become a better and more efficient writer. In short, I’ve grown.

Thanks to EVERYONE who has visited, and special thanks to those who have left comments. If there are any particular topics anyone would like me to address in the coming year, or if there are any things I already do that you’d like to see more of, feel free to mention that in today’s comments, and I will do my best.

At the end of 2010, WordPress sent out each blog’s statistics for the year, and I thought I’d share a few of mine (below). I suspect that they give all the new blogs a “wow” rating, but I never look a gift horse in the mouth. (Hmmm, just thought of a new idea for a post…)

Thanks again, everybody, for making Layinda’s Blog such a pleasure to produce. I couldn’t have done it without you. 🙂

Here are the stats:

Happy New Year from WordPress.com! To kick off the year, we’d like to share with you data on how your blog has been doing. Here’s a high level summary of your overall blog health:

Blog-Health-o-Meter Wow

Blog-Health-o-Meter™

We think you did great!

Crunchy numbers

A Boeing 747-400 passenger jet can hold 416 passengers. This blog was viewed about 3,900 times in 2010. That’s about 9 full 747s.
(Author’s Note: The official anniversary number was 3997 – I’d hoped it would hit 4000 in time for the big day, but that was close enough for me! 😉 )

In 2010, you wrote 133 new posts, not bad for the first year! You uploaded 7pictures, taking up a total of 7mb.

Your busiest day of the year was June 1st with76 views. The most popular post that day wasGreat Guy, Great Book, Great Advice: Part 1.

Where did they come from?

The top referring sites in 2010 were twitter.com,facebook.comblogger.com,jemifraser.blogspot.com, andcatwoods.wordpress.com.

Some visitors came searching, mostly forsmiling hurtsbooks for young advanced readersblogs for parents of advanced readersage appropriate book lists, and ty roth author.

Attractions in 2010

These are the posts and pages that got the most views in 2010. You can see all of the year’s most-viewed posts and pages in your Site Stats.

1

Great Guy, Great Book, Great Advice: Part 1April 2010
1 comment

2

Young Advanced Readers: An Age Appropriate Book List for Puzzled ParentsApril 2010
1 comment

3

About
1 comment

4

Ghost from the Past: Elements of the Modern NovelMay 2010
4 comments

5
To Critique or Not to CritiqueApril 2010
6 comments

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Thankful Thoughts

As a writer who has yet to snag an agent, it might be assumed that I have little to be thankful for in that department. But that would be wrong.

Ten Writerly Things I Am Thankful for This Year:

1. I have written an entire novel and my target audience seems to like it.

2. I’ve learned so much about writing and the business since this time last year that my next manuscript will probably be a lot easier to edit.

3. I am thankful for the existence of Twitter and Facebook, from which I’ve gotten leads on some great blog posts that have educated and entertained me.

4. I have met some wonderful critique partners who have helped me see my manuscript in a new light, and I’ve enjoyed reading and commenting on theirs.

5. It’s been a lot of fun starting and maintaining my blog. (Just passed the ten month mark!)

6. I got to attend my first online writer’s conference (WriteOnCon) as well as my first in-person one (Northern Ohio SCBWI), and had a great time at both.

7. I have finally wrestled my query into decent shape, which has resulted in a number of partial and full requests.

8. Jim and Jack is about ten times better now than it was a year ago, due to the aforementioned accrued knowledge and critiquing.

9. You can’t fix what you don’t know until you do know it. I have finally realized that while criticism can sting, it can also be your best friend.

10. I have happily discovered that reading bad writing and recognizing what makes it bad is the easiest way to avoid it in your own writing.


Now, please pass the stuffing. And have a happy and safe Thanksgiving. 🙂

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Irene Goodman Literary Agency Critique Marathon Dec. 1

An Agent Query Connect friend, Robert K. Lewis (thriller writer extraordinaire), happens to be represented by the Irene Goodman Literary Agency. For the last several months, the agency has been auctioning off critiques of partial manuscripts (first fifty pages) on Ebay. ALL of the proceeds have gone to the Foundation Fighting Blindness, Deafness Research Foundation, and Hope for Vision, because Irene’s son has Usher Syndrome (which means he’s losing his sight and hearing).

Now, Irene has announced that on December 1, she is going to host a “crit marathon,” and will be putting out FIFTEEN auctions for critique. According to RKL, Ms. Goodman is very hopeful that she will one day sign an author through this endeavor, though she hasn’t, yet. People have also said good things about her crits, which is no surprise, as she’s been a successful literary agent for about 30 years.

Here’s a link to the web page: http://www.irenegoodman.com/ebay.php

Good Luck!

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From Yellowed Page to Silver Screen

Many vintage books have been made into what are now old movies, and many contemporary books have been made into newer movies, but it is surprising how many really old titles have been adapted for film decades after first being published.

I’m not talking about classics that return to the silver screen every few years as a remake, such as Louisa May Alcott’s Little Women, or Jane Austen’s Pride and Prejudice. I mean old novels that were popular as first editions, but have fallen into obscurity with the passage of time, such as the not-so-recent but definitely familiar titles, The Blue Lagoon (Henry De Vere Stacpoole, 1908), A Room with a View (E.M. Forster, 1908), and Brewster’s Millions (George Barr McCutcheon, 1902).

The reasons for the reemergence of slightly moth-eaten stories as movies vary, but one of the most likely is that after 75 years, copyrights expire. In other words, anyone can adapt older works without having to pay royalties. Since the titles have fallen out of the public eye, the plots seem fresh and new, and audiences have no, “I hated the movie because it wasn’t like the book,” complaints.

Frequently, these titles were written by once-popular novelists, but are not known as the authors’ defining works. The movie thence enjoys a shirt-tail association with fame, but is able to capitalize on the unfamiliarity of the plot. (McCutcheon was most famous for Graustark and its sequels, Forster for A Passage to India.)

I think that if I were to attempt a screenplay based on an old novel, it would be Elsie Dinsmore, by Margaret Finley. Written in 1867, it is about a young Northern sympathizer in antebellum times, and was the beginning of a series that remained popular with young girls well into the 1940s. Although the Elsie books were what made Finley famous, if it were to sell, there is a stream of ready-made sequels.

How about you?

Brewster's Millions

Brewster’s Millions, by George Barr McCutcheon, 1902

Brewster's Millions

Brewster’s Millions, starring Richard Pryor, 1985

Product Details

The Blue Lagoon, by Henry De Vere Stacpoole, 1908

The Blue Lagoon, starring Brooke Shields and Christopher Atkins, 1980

A Room With a View

A Room with a View, by E.M. Forster, 1908

A Room With A View

A Room with a View, starring Helena Bonham Carter, 1985

References:

Answers.com

Wikipedia.org (a), (b), (c), (d), (e)

The Literature Network

TheMovieBlog.com

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Conference Highlights/Helpful Hints: Part 2 – Attending a Conference

In my last post, I listed some advice that I picked up from the experts while attending The Northern Ohio SCBWI conference back on September 10th and 11th. Today I am posting my personal recommendations of things to keep in mind when attending a writers’ conference.

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1. Go ahead and ask questions.

A conference not only provides an opportunity for in-depth information on specific topics during break-out sessions, it is a great chance to get answers directly from the experts, rather than one’s peers.

As an editor remarked at the conference, they expect to talk with people and answer questions, that’s part of the reason they’re there. But be courteous — they don’t want to be cornered in the bathroom. 😉

2. Don’t be afraid to speak up.

Dinner was the first thing on the agenda Friday night, and when I walked into the dining room, my lack of conference experience flared. A lot of the tables were already filled, and I had no idea where to sit.

The conference organizers happened to be crowded around the entrance, and I said to one of them, “I have never been to a conference before. Is there a seating chart, or do we just find a spot?”

The woman looked at the lady next to her and asked, “Where should I put her?” I ended up seated at a table with the agent and one of the editors, fifteen feet from the podium.

3. Determine your  conference goals ahead of time.

“Why are you here?” was the question posed in the Welcome Speech at the start of dinner.

“Why am I here?” I asked myself. I was excited to finally be at a writers’ conference, but what were my intentions? I had said to friends that I just wanted to look friendly and not spill my food, but deep down, I knew that my subconscious goal was to snag an agent.

As there was only one agent at the event, my chances were rather slim, but my subconscious didn’t care, and the agent happened to be eating dinner two people away from me. Unfortunately for me, he spent the evening in conversation with the man to his left, and I didn’t even have the nerve to make eye contact.

By the next morning, I had revised my goal to just say hi to him, which I managed to do.

Moral of the Story: Figure out before attending what your goals are, but be realistic and don’t forget to enjoy the moment.

4. Get the critique.

Frequently, conferences will afford the opportunity to have an editor or agent critique a portion of your manuscript, discuss the project with you and answer questions specific to your work. Even if you don’t agree with the advice, it gives you the chance to see your manuscript through the eyes of a professional, which is never a bad thing.

5. Tweet your conference plans (#conferencename) before you go.

I didn’t do this, but someone I follow did (@lkblackburne), and she happened to be going to the same conference! As a result of her tweet, I was able to meet her there and actually have a conversation – something of a rarity in the virtual world of social media. I also met someone else who follows her, and now we’re following each other, as well (@dotificus). It’s a small writing world, after all.

6. Bring along a sizeable carryall.

I happened upon a wonderful shoulder bag to carry at the conference, more than large enough to tote anything I might have needed. Some of it I was smart enough to bring along, such as several pens, a pad of paper for taking notes, and some simple business cards that included the title of my manuscript and the hook. Post-it notes came in handy, as did several copies of my first few pages along with the cover sheet to my manuscript.

I could have also used a mini stapler and some TicTacs, but next time I’ll know better.

7. Don’t be intimidated by the food.

Lunch at the conference involved the tallest sandwich I have ever seen, and the roll that encased it was firm enough that it didn’t flatten down when squeezed. I glanced around the table and saw that none of my nine companions had braved it. Every one of them had taken the top off and was politely sawing at the contents with a knife and fork. I tried that, but there was crispy bacon involved, so it wasn’t easy.

The pasta side salad and a small bowl of fresh fruit allowed me to contemplate the matter, and I ended up putting the lid back on and eating my lunch like the Earl of Sandwich intended. Delicious. And no one said a word. I think that they were all secretly jealous.

8. Don’t forget to have some fun.

Don’t miss the opportunity to make new connections outside the confines of the scheduled events. After the official program has ended Friday night, grab some of your new writing buddies and head on over to the hotel lounge. Bonus: If you stick to soft drinks, they are frequently on the house.

Previously: Conference Highlights/Helpful Hints: Part 1 – Agent/Editor advice

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Conference Highlights/Helpful Hints: Part 1

I promised this for last Monday, but I had a busy week. Better late than never! 😉

The Northern Ohio SCBWI conference was great. It was exactly what I had hoped it would be, a small, well-organized conference with interesting presenters and tasty food. I wasn’t sure how much I would actually learn, because I’ve spent the last year soaking up information about the writing biz, but there were all sorts of things I didn’t know, and I am definitely wiser for the experience. I would highly recommend this conference for writers and illustrators.

Here are a few helpful tips that I picked up over the course of an information-packed weekend:

1. Before sending off a query, MAKE SURE THAT YOU FOLLOW THE AGENCY’S SUBMISSION INSTRUCTIONS TO THE LETTER.

Agencies will commonly post guidelines for query submissions on their websites. If an author can’t invest the time to check an agency’s website for the proper parameters, why should an agent spend the time to read their submission? Hint: They won’t.

2. Don’t be afraid to be different.

Everybody knows when a trend has been done to death, but no one knows what the next big thing is going to be. Rather than trying to ride the coattails of the latest craze, it’s better to be brave and disregard what other people are writing. One needs to stay mindful of one’s audience, but it’s better to be a maverick than a copycat.

3. Small to medium publishing houses can be the best choice for new authors.

A common fantasy might be to sign with one of the Big Six and get a huge advance with lots of advertising, but in reality, the larger houses tend to focus on their established authors, and the little guy might not get everything he is looking for in terms of marketing or personalized attention. Small to medium houses, however, like the little guy. The advances might not be as big, but they tend to keep things in print longer, which translates into royalties.

4. Not every book has to start off with a bang.

A common recommendation online is that something dramatic needs to happen in the first few pages, or an agent will quit reading. I asked about this at the conference, and the agent replied that although he can pretty much tell if a book will be good by the end of the first page, some books don’t really take off until around page fifty, and that is perfectly acceptable.

5. Read, Read, Read.

Whatever your genre, get to know the market by reading, talking to librarians and teachers, volunteer at the library or get a part time job at a bookstore. When you think you have a good idea of what works, keep that at the back of your mind while you write.

Friday: Conference Highlights/Helpful Hints: Part Two – Attending a Conference

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Out of the Office

Friday evening I am going to my very first writer’s conference, hosted by the local chapter of the SCBWI (Society of Children’s Book Writers and Illustrators). It promises to be a smallish affair, but will have one big-name agent and several editors in attendance, with a good line-up of break-out sessions on Saturday. Sadly, I’m almost as excited about the dinner menu and the plated luncheon as I am about the event itself, but there it is.

As well as getting my manuscript into tip-top shape and putting a portfolio of artwork together for the Illustrator Showcase, I’m trying to pin down some of the more practical aspects of attending such an event. What does one wear? Should I add the book title and hook to my business cards? What about adding a gimmick (in the form of a cool origami corner bookmark) to each of the cards?

To get the answers to some of these questions, I posted the last three concerns to Agent Query Connect and got some good advice from conference veterans. (Business casual, the title and hook are a good idea, and if the bookmark might be more annoying than appealing, ditch it.) For the rest, I discovered a wonderful blog post written by Anne R. Allen, WRITERS CONFERENCE TIPS: 10 Dos and Don’ts, and a helpful interview by Ginny Wiehardt that provides an editor’s views on the subject.

In addition, I found a great leather bag to carry that has pockets for my laptop, manuscript samples and portfolio, in addition to room for normal purse items such as pens and makeup. It is black, with a zippered top and big silver buckles on the front. With it, I feel slightly invincible – not a bad quality to have when introducing oneself to intimidating people like agents and editors.

I would normally blog on Friday or Saturday, but since I’ll be at the conference then, I will let you know how things turned out on Monday. Have a great week! 🙂

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