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Conference Highlights/Helpful Hints: Part 2 – Attending a Conference

In my last post, I listed some advice that I picked up from the experts while attending The Northern Ohio SCBWI conference back on September 10th and 11th. Today I am posting my personal recommendations of things to keep in mind when attending a writers’ conference.

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1. Go ahead and ask questions.

A conference not only provides an opportunity for in-depth information on specific topics during break-out sessions, it is a great chance to get answers directly from the experts, rather than one’s peers.

As an editor remarked at the conference, they expect to talk with people and answer questions, that’s part of the reason they’re there. But be courteous — they don’t want to be cornered in the bathroom. 😉

2. Don’t be afraid to speak up.

Dinner was the first thing on the agenda Friday night, and when I walked into the dining room, my lack of conference experience flared. A lot of the tables were already filled, and I had no idea where to sit.

The conference organizers happened to be crowded around the entrance, and I said to one of them, “I have never been to a conference before. Is there a seating chart, or do we just find a spot?”

The woman looked at the lady next to her and asked, “Where should I put her?” I ended up seated at a table with the agent and one of the editors, fifteen feet from the podium.

3. Determine your  conference goals ahead of time.

“Why are you here?” was the question posed in the Welcome Speech at the start of dinner.

“Why am I here?” I asked myself. I was excited to finally be at a writers’ conference, but what were my intentions? I had said to friends that I just wanted to look friendly and not spill my food, but deep down, I knew that my subconscious goal was to snag an agent.

As there was only one agent at the event, my chances were rather slim, but my subconscious didn’t care, and the agent happened to be eating dinner two people away from me. Unfortunately for me, he spent the evening in conversation with the man to his left, and I didn’t even have the nerve to make eye contact.

By the next morning, I had revised my goal to just say hi to him, which I managed to do.

Moral of the Story: Figure out before attending what your goals are, but be realistic and don’t forget to enjoy the moment.

4. Get the critique.

Frequently, conferences will afford the opportunity to have an editor or agent critique a portion of your manuscript, discuss the project with you and answer questions specific to your work. Even if you don’t agree with the advice, it gives you the chance to see your manuscript through the eyes of a professional, which is never a bad thing.

5. Tweet your conference plans (#conferencename) before you go.

I didn’t do this, but someone I follow did (@lkblackburne), and she happened to be going to the same conference! As a result of her tweet, I was able to meet her there and actually have a conversation – something of a rarity in the virtual world of social media. I also met someone else who follows her, and now we’re following each other, as well (@dotificus). It’s a small writing world, after all.

6. Bring along a sizeable carryall.

I happened upon a wonderful shoulder bag to carry at the conference, more than large enough to tote anything I might have needed. Some of it I was smart enough to bring along, such as several pens, a pad of paper for taking notes, and some simple business cards that included the title of my manuscript and the hook. Post-it notes came in handy, as did several copies of my first few pages along with the cover sheet to my manuscript.

I could have also used a mini stapler and some TicTacs, but next time I’ll know better.

7. Don’t be intimidated by the food.

Lunch at the conference involved the tallest sandwich I have ever seen, and the roll that encased it was firm enough that it didn’t flatten down when squeezed. I glanced around the table and saw that none of my nine companions had braved it. Every one of them had taken the top off and was politely sawing at the contents with a knife and fork. I tried that, but there was crispy bacon involved, so it wasn’t easy.

The pasta side salad and a small bowl of fresh fruit allowed me to contemplate the matter, and I ended up putting the lid back on and eating my lunch like the Earl of Sandwich intended. Delicious. And no one said a word. I think that they were all secretly jealous.

8. Don’t forget to have some fun.

Don’t miss the opportunity to make new connections outside the confines of the scheduled events. After the official program has ended Friday night, grab some of your new writing buddies and head on over to the hotel lounge. Bonus: If you stick to soft drinks, they are frequently on the house.

Previously: Conference Highlights/Helpful Hints: Part 1 – Agent/Editor advice

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Conference Highlights/Helpful Hints: Part 1

I promised this for last Monday, but I had a busy week. Better late than never! 😉

The Northern Ohio SCBWI conference was great. It was exactly what I had hoped it would be, a small, well-organized conference with interesting presenters and tasty food. I wasn’t sure how much I would actually learn, because I’ve spent the last year soaking up information about the writing biz, but there were all sorts of things I didn’t know, and I am definitely wiser for the experience. I would highly recommend this conference for writers and illustrators.

Here are a few helpful tips that I picked up over the course of an information-packed weekend:

1. Before sending off a query, MAKE SURE THAT YOU FOLLOW THE AGENCY’S SUBMISSION INSTRUCTIONS TO THE LETTER.

Agencies will commonly post guidelines for query submissions on their websites. If an author can’t invest the time to check an agency’s website for the proper parameters, why should an agent spend the time to read their submission? Hint: They won’t.

2. Don’t be afraid to be different.

Everybody knows when a trend has been done to death, but no one knows what the next big thing is going to be. Rather than trying to ride the coattails of the latest craze, it’s better to be brave and disregard what other people are writing. One needs to stay mindful of one’s audience, but it’s better to be a maverick than a copycat.

3. Small to medium publishing houses can be the best choice for new authors.

A common fantasy might be to sign with one of the Big Six and get a huge advance with lots of advertising, but in reality, the larger houses tend to focus on their established authors, and the little guy might not get everything he is looking for in terms of marketing or personalized attention. Small to medium houses, however, like the little guy. The advances might not be as big, but they tend to keep things in print longer, which translates into royalties.

4. Not every book has to start off with a bang.

A common recommendation online is that something dramatic needs to happen in the first few pages, or an agent will quit reading. I asked about this at the conference, and the agent replied that although he can pretty much tell if a book will be good by the end of the first page, some books don’t really take off until around page fifty, and that is perfectly acceptable.

5. Read, Read, Read.

Whatever your genre, get to know the market by reading, talking to librarians and teachers, volunteer at the library or get a part time job at a bookstore. When you think you have a good idea of what works, keep that at the back of your mind while you write.

Friday: Conference Highlights/Helpful Hints: Part Two – Attending a Conference

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Out of the Office

Friday evening I am going to my very first writer’s conference, hosted by the local chapter of the SCBWI (Society of Children’s Book Writers and Illustrators). It promises to be a smallish affair, but will have one big-name agent and several editors in attendance, with a good line-up of break-out sessions on Saturday. Sadly, I’m almost as excited about the dinner menu and the plated luncheon as I am about the event itself, but there it is.

As well as getting my manuscript into tip-top shape and putting a portfolio of artwork together for the Illustrator Showcase, I’m trying to pin down some of the more practical aspects of attending such an event. What does one wear? Should I add the book title and hook to my business cards? What about adding a gimmick (in the form of a cool origami corner bookmark) to each of the cards?

To get the answers to some of these questions, I posted the last three concerns to Agent Query Connect and got some good advice from conference veterans. (Business casual, the title and hook are a good idea, and if the bookmark might be more annoying than appealing, ditch it.) For the rest, I discovered a wonderful blog post written by Anne R. Allen, WRITERS CONFERENCE TIPS: 10 Dos and Don’ts, and a helpful interview by Ginny Wiehardt that provides an editor’s views on the subject.

In addition, I found a great leather bag to carry that has pockets for my laptop, manuscript samples and portfolio, in addition to room for normal purse items such as pens and makeup. It is black, with a zippered top and big silver buckles on the front. With it, I feel slightly invincible – not a bad quality to have when introducing oneself to intimidating people like agents and editors.

I would normally blog on Friday or Saturday, but since I’ll be at the conference then, I will let you know how things turned out on Monday. Have a great week! 🙂

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Blog BBQ This Weekend

Karen Jones Gowen is having a Blog BBQ this weekend. As you can tell from the comments on my previous post, I have already enjoyed a lot of new visitors from it, and can definitely recommend attending.

If you’re interested in participating, it continues through Labor Day, the more the merrier.

Here’s how:

Go to Karen’s blog (Coming Down the Mountain: From Reclusive Writer to Published Author) and “follow” her. Then leave a comment about what food you’d like to bring, mention the content/url of your blog, and invite others to come visit you. Go to the blogs of three other people who have also commented, say hi, and watch the visitors to your own blog pour in.

I’ve discovered several interesting blogs so far, and am heading back to the festivities as soon as I’ve posted this. Maybe I’ll see you there?

Have a great weekend!

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TMI

I had to stop while driving the other day to ask a stranger for directions, and quickly regretted it. The man was willing to help, but after telling me how to get where I was going, he added, “otherwise, you could take a left at the Walmart, go down over the bridge and and then take a right after about two miles. Then you take a quick left over the tracks and it’s just past the frontage road. There are fewer traffic lights that way. The bridge is normally out, but lately there hasn’t been any rain, and it’s open.” (Okay, this is not exactly what he said, but you get the gist of it.)

I thanked him with glazed eyes, trying to keep his original instructions straight in my brain. Amazingly, I got where I was going, no thanks to his confusing directions.

This experience put me in mind of a large number of writing samples that I’ve seen posted online. The story is there, and sometimes it’s not bad, but it is buried in details and extraneous words that require the reader to work to figure out what the author is trying to say.

I made that mistake, when writing the first draft of Jim and Jack. I wanted the reader to see things the same way I did, in order to provide a better understanding of the characters and the story. When I read it over the first time through, I had a lot of trimming to do.

The best way to recognize this “overwriting” is to read the work of authors who are not yet published. When encountered, the issue is so obvious that it is much easier to identify in one’s own work.

Each person has his/her own style, but clarity is something that all writers should strive for. Nothing is worse than having to re-read a passage because it is too convoluted to “get” the first time through. If an agent has to do much of that, the manuscript is going to get rejected.

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Parental Guidance Suggested

My father, as I mentioned a few posts ago, recently purchased a Kindle. I encouraged him to buy it, because his vision has been temporarily impaired by a series of unavoidable eye surgeries. In order to read anything, he has had to don an elaborate headgear with magnifying glasses attached to the front.

One can change the type size on a Kindle, and if necessary, it even has a text to speech feature, so it seemed like the perfect solution. After we figured out how to use it, the large type worked out well, but unfortunately, the “main” and “menu” pages remain in fine print. To get around this, whenever he wants to download a new title, he calls me and I go to my computer, log on to his Amazon account, and order it for him.

I am happy to do this, appreciative of the fact that my father is finally able to sit down and read without resembling an escapee from a science fiction movie, but the download requests have gotten a little awkward.

Dad is a retired minister, and his first purchase was naturally a Bible. No problem. Then he wanted Ken Bailey’s, Jesus Through Middle Eastern Eyes. Another fine choice. His third request was, The Number One Ladies Detective Agency, by Alexander McCall Smith.

This novel was quite popular when it first came out, and my book group happened to read it. The protagonist is an African woman, and much of the story is good, but in my opinion, the voice is distractingly male. The main character’s thoughts and emotions regarding her marriage aren’t authentic, particularly the fact that her sexually abusive husband used to beat her, and she secretly enjoyed it.

Needless to say, the idea of my elderly parent reading this was a tad uncomfortable for me. I ordered it for him, but did not mention that I’d read it, lest he feel equally awkward when he came upon those descriptive scenes.

His next choice was Stieg Larsson’s The Girl with the Dragon Tattoo. Eyebrows raised, I ordered it without comment.

Then he asked me to order Forever, by Judy Blume.

Whaaat? Racy in its time, compared to today’s fare it is rather tame. But still. I couldn’t keep quiet any longer.

“Uh, Dad – do you know what that one is about?”

“Well, not really, but I caught the end of a show on NPR the other day that recommended it.”

“It’s a love story for teenage girls.” I looked it up on Amazon and read him the description.

“Oh.”

“Did you still want me to order it?”

I cringed.

“Oh, I guess not. How about The Shack by William P. Young? I’ve heard that’s good.”

Relief washed over me.

Everything Dad’s ordered has been completely within the bounds of propriety, but even as an adult, the idea of my parents reading anything higher than a G-rating makes me wince.

Am I the only one?

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Having a Busy Week

I have been busy getting my boys ready for their first day of school this week, but will post Wednesday. See you then! 🙂

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Oldies but Goodies: Great Books for Kindergarteners

Today’s “Oldies but Goodies” is a selection of timeless books for kindergarteners and early readers. Some of these titles can still be found at the local library, most are available through Amazon.com and the rest are obtainable at reasonably priced used-book websites like AbeBooks.com and alibras.com. All of them have great illustrations. 🙂

Mike Mulligan and His Steam Shovel

by Virginia Lee Burton

Mike Mulligan and His Steam Shovel

The Friendly Book

by Margaret Wise Brown

The Friendly Book (Big Little Golden Book)

Wait Till the Moon is Full

by Margaret Wise Brown

Wait Till the Moon Is Full

The Cat in the Hat

by Dr. Seuss

The Cat in the Hat

Lilly’s Purple Plastic Purse

by Kevin Henkes

Lilly's Purple Plastic Purse

The Velveteen Rabbit

by Margey Williams Bianco

The Velveteen Rabbit

Anatole

by Eve Titus

Anatole

I Can’t, Said the Ant

by Polly Cameron

"I Can't" Said the Ant

Anything by Beatrix Potter

Beatrix Potter The Complete Tales

The Story of Ferdinand

by Munro Leaf

The Story of Ferdinand (Puffin Storytime)

Millions of Cats

by Wanda Gag

Millions of Cats (Gift Edition) (Picture Puffin Books)

The Dragon Who Liked to Spit Fire

by Judy Varga

The Dragon Who Liked To Spit Fire

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Making Lemonade

I spent the first half of today feeling discouraged, and the second half of today feeling like my writing is so terrible that I shouldn’t waste my time trying to get published. In other words, I had my normal response to a partial-manuscript rejection.

By this evening, I had straightened around to deciding that I should at least consider an idea proposed by the agent that would, in her opinion, increase my likelihood of securing representation:
Drumroll, please…

Switch it from YA to MG.

This agent is not the first to suggest that Jim and Jack has a Middle Grade feel to it. Two of my critique partners also mentioned this, but I have stayed true to my original vision of the novel being for gifted eighth-grade boys (as well as a grade or two in both directions).

Why?

1. Boys mature at a significantly slower rate than girls during those tween/lower teen years.

2. Boys are generally not as emotionally complex as girls (read The Male Brain, by Louann Brizendine, MD, if you disagree with this. If you are still doubt, go make friends with a 12-15 year old boy.)

The Male Brain

3. Gifted kids of both sexes are known for their asynchronous development, in that their emotional maturity frequently lags behind their intellectual prowess.

4. 1929 (in which half of Jim and Jack is set) was a simpler time in many ways. Even though adolescents typically had more responsibilities at a younger age, frequently getting married right out of high school, there was a naiveté that doesn’t exist today. Society as a whole was more focused on developing character rather than on “being cool,” and I want that lack of sophistication to be reflected in my 1929 characters.

5. Just to make sure I was right, I had my manuscript test driven by ten 12-to 16-year-old gifted boys (nine of whom did not know me) before I started querying. On response sheets, in answer to the question, “Do you think you were the right age to read this novel? Why, or why not? What age would you think IS the right age?” every one of them thought that theirs was exactly the right age, for various reasons. Which says to me that it is right on target.

I am willing to consider the change, though. Clinging to my rationale won’t bring Jim and Jack any closer to publication. As the litmus test, I have recruited my reluctant-reader middle grade son to read it. If he likes it, I will pitch it differently and see what happens.

They say that you know you’re getting closer when you start to get personalized rejections. We’ll see.

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WriteOnCon – The Gift that Keeps on Giving

Well, I have to hand it to Jamie Harrington, Elana Johnson, Casey McCormick, Shannon Messenger, Lisa and Laura Roecker, and Jennifer Stayrook. Their brainchild, the WriteOnCon online conference for PB, MG and YA writers, was fantastic.

Styled after a traditional writer’s conference (except that it was free!), registration opened up on July 1, and the conference began this Tuesday morning at 6am, EDT. For three whole days (and evenings), the schedule was packed with posts by industry professionals, vlogs, critique forums, interactive agent panels, live video workshops, and prize drawings. Attendees were able to “get together” with each other and agents in the conference chat, lounge and through personal messaging. It was a lot of fun, and very informative.

A glitch with the server on the first day precluded many registrants (myself included) from logging on to the site, but every effort was made by the organizers for people to still “attend,” by posting all of the happenings and contests on their blogs. By Wednesday morning, everything was fixed, with plenty of time left for people to post items for critique.

The site and all of its posts will remain up so that anyone who was unable to participate can continue to benefit from the shared wisdom. If you missed it, go on over and check it out. It’s the next best thing to being there.

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