Category Archives: Miscellaneous

Thankful Thoughts

As a writer who has yet to snag an agent, it might be assumed that I have little to be thankful for in that department. But that would be wrong.

Ten Writerly Things I Am Thankful for This Year:

1. I have written an entire novel and my target audience seems to like it.

2. I’ve learned so much about writing and the business since this time last year that my next manuscript will probably be a lot easier to edit.

3. I am thankful for the existence of Twitter and Facebook, from which I’ve gotten leads on some great blog posts that have educated and entertained me.

4. I have met some wonderful critique partners who have helped me see my manuscript in a new light, and I’ve enjoyed reading and commenting on theirs.

5. It’s been a lot of fun starting and maintaining my blog. (Just passed the ten month mark!)

6. I got to attend my first online writer’s conference (WriteOnCon) as well as my first in-person one (Northern Ohio SCBWI), and had a great time at both.

7. I have finally wrestled my query into decent shape, which has resulted in a number of partial and full requests.

8. Jim and Jack is about ten times better now than it was a year ago, due to the aforementioned accrued knowledge and critiquing.

9. You can’t fix what you don’t know until you do know it. I have finally realized that while criticism can sting, it can also be your best friend.

10. I have happily discovered that reading bad writing and recognizing what makes it bad is the easiest way to avoid it in your own writing.


Now, please pass the stuffing. And have a happy and safe Thanksgiving. 🙂

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Irene Goodman Literary Agency Critique Marathon Dec. 1

An Agent Query Connect friend, Robert K. Lewis (thriller writer extraordinaire), happens to be represented by the Irene Goodman Literary Agency. For the last several months, the agency has been auctioning off critiques of partial manuscripts (first fifty pages) on Ebay. ALL of the proceeds have gone to the Foundation Fighting Blindness, Deafness Research Foundation, and Hope for Vision, because Irene’s son has Usher Syndrome (which means he’s losing his sight and hearing).

Now, Irene has announced that on December 1, she is going to host a “crit marathon,” and will be putting out FIFTEEN auctions for critique. According to RKL, Ms. Goodman is very hopeful that she will one day sign an author through this endeavor, though she hasn’t, yet. People have also said good things about her crits, which is no surprise, as she’s been a successful literary agent for about 30 years.

Here’s a link to the web page: http://www.irenegoodman.com/ebay.php

Good Luck!

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Happy Hundredth Birthday, Jerry West!

The Happy Hollisters

I LOVED The Happy Hollisters series when I was little. Pete, Pam, Ricky, Holly, Sue and their dog Zip seemed to spend most of their free time stumbling upon and solving all kinds of mysteries. From their hometown of Shoreham to places as far-flung as Puerto Rico, Quebec and Switzerland, they outsmarted bullies and bad guys and were always able to help out new friends from many different cultures. The author, Jerry West, also managed to slip in the sign-language alphabet, the Radio alphabet (Alpha, Bravo, Charlie), Morse code, and many other interesting tidbits that added a “please try this at home” aspect to his clever and engaging stories.

Originally penned for children ages four through twelve (which happens to be the ages of the five main characters), the series consisted of thirty-three hard-bound titles written between 1953 and 1969. After years of fans only being able to find them in used book stores or at the library, last month the author’s family re-released the first title in paperback (including the original illustrations by Helen S. Hamilton), and it is now available at Amazon.com.

This happy occasion was precipitated by the one-hundredth anniversary of West’s birth. Jerry West was actually the pen name of Andrew E. Svenson, and although the book includes the customary caveat of no similarity to persons living or dead, a forward written by Svenson’s grandson reveals that the Hollisters were based on the author’s real-life family.

I can highly recommend this wholesome yet enjoyable adventure series, and hope that the Svensons’ plan is to reprint the rest of the titles, as well. Not only are they great books, they are a tasty slice of life from days gone by.

Layinda’s Blog Rating: ¶¶¶¶¶

References:

The Happy Hollisters Website
Amazon.com
Wikipedia.com

The Happy Hollisters and the Indian Treasure (The Happy Hollisters, No. 4) The Happy Hollisters And The Haunted House Mystery

The Happy Hollisters and the Sea Turtle Mystery (#26 in the Series) The Happy Hollisters and the Mystery at Missile Town (Happy Hollisters, No. 19)The Happy Hollisters and The Old Clipper Ship (H-12) (Doubleday Books for Young Readers)THE HAPPY HOLLISTERS AND THE GHOST HORSE MYSTERY #29.

The Happy Hollisters and the Secret of the Lucky CoinsThe Happy Hollisters and The Swiss Echo Mystery

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From Yellowed Page to Silver Screen

Many vintage books have been made into what are now old movies, and many contemporary books have been made into newer movies, but it is surprising how many really old titles have been adapted for film decades after first being published.

I’m not talking about classics that return to the silver screen every few years as a remake, such as Louisa May Alcott’s Little Women, or Jane Austen’s Pride and Prejudice. I mean old novels that were popular as first editions, but have fallen into obscurity with the passage of time, such as the not-so-recent but definitely familiar titles, The Blue Lagoon (Henry De Vere Stacpoole, 1908), A Room with a View (E.M. Forster, 1908), and Brewster’s Millions (George Barr McCutcheon, 1902).

The reasons for the reemergence of slightly moth-eaten stories as movies vary, but one of the most likely is that after 75 years, copyrights expire. In other words, anyone can adapt older works without having to pay royalties. Since the titles have fallen out of the public eye, the plots seem fresh and new, and audiences have no, “I hated the movie because it wasn’t like the book,” complaints.

Frequently, these titles were written by once-popular novelists, but are not known as the authors’ defining works. The movie thence enjoys a shirt-tail association with fame, but is able to capitalize on the unfamiliarity of the plot. (McCutcheon was most famous for Graustark and its sequels, Forster for A Passage to India.)

I think that if I were to attempt a screenplay based on an old novel, it would be Elsie Dinsmore, by Margaret Finley. Written in 1867, it is about a young Northern sympathizer in antebellum times, and was the beginning of a series that remained popular with young girls well into the 1940s. Although the Elsie books were what made Finley famous, if it were to sell, there is a stream of ready-made sequels.

How about you?

Brewster's Millions

Brewster’s Millions, by George Barr McCutcheon, 1902

Brewster's Millions

Brewster’s Millions, starring Richard Pryor, 1985

Product Details

The Blue Lagoon, by Henry De Vere Stacpoole, 1908

The Blue Lagoon, starring Brooke Shields and Christopher Atkins, 1980

A Room With a View

A Room with a View, by E.M. Forster, 1908

A Room With A View

A Room with a View, starring Helena Bonham Carter, 1985

References:

Answers.com

Wikipedia.org (a), (b), (c), (d), (e)

The Literature Network

TheMovieBlog.com

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Book Review: The Guernsey Literary and Potato Peel Pie Society

The Guernsey Literary and Potato Peel Pie Society (Random House Reader's Circle)

I had heard good things about The Guernsey Literary and Potato Peel Pie Society, by Mary Ann Shaffer and Annie Barrows, but it wasn’t until my book group chose it as our next selection that I headed to the library to check it out. An enjoyably pleasant read, I have to say that it didn’t get really good until around page 200. By page 240, I couldn’t put it down.

Fictional author Juliet Ashton is the novel’s protagonist, but the points of view come from every direction as the book is framed by a chronological series of post World War II correspondence between Juliet, her editor, and the populace of the small town of St. Peter Port in England’s Channel Islands.

The plot is anchored to a character who is never actually present in the story, Elizabeth McKenna. Founder of the G.L.P.P.P.S., she has been sent to a concentration camp by the time Juliet arrives in Guernsey, but the memories of her loved ones and the artifacts she has left behind tell her story for her. Throughout the novel, images of the German occupation reveal how easily the veil of civilization is lifted during wartime.

A mix of humor and pathos, the somewhat quirky characters are believable, the setting is intriguing, and the writing has a beautifully visual quality that easily transports the reader to post-war England.

My only criticism is that at first, many of the letters sounded like they were written by the same person. I found myself having to re-read the entry titles to remind myself whose point of view it was. By the middle of the book, however, the characters had come into their own voices and the confusion waned.

I would definitely recommend reading The Guernsey Literary and Potato Peel Pie Society. And maybe a trip to the Channel Islands to enjoy the scenery. 😉

Layinda’s Blog Rating: ¶¶¶¶¶

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Conference Highlights/Helpful Hints: Part 2 – Attending a Conference

In my last post, I listed some advice that I picked up from the experts while attending The Northern Ohio SCBWI conference back on September 10th and 11th. Today I am posting my personal recommendations of things to keep in mind when attending a writers’ conference.

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1. Go ahead and ask questions.

A conference not only provides an opportunity for in-depth information on specific topics during break-out sessions, it is a great chance to get answers directly from the experts, rather than one’s peers.

As an editor remarked at the conference, they expect to talk with people and answer questions, that’s part of the reason they’re there. But be courteous — they don’t want to be cornered in the bathroom. 😉

2. Don’t be afraid to speak up.

Dinner was the first thing on the agenda Friday night, and when I walked into the dining room, my lack of conference experience flared. A lot of the tables were already filled, and I had no idea where to sit.

The conference organizers happened to be crowded around the entrance, and I said to one of them, “I have never been to a conference before. Is there a seating chart, or do we just find a spot?”

The woman looked at the lady next to her and asked, “Where should I put her?” I ended up seated at a table with the agent and one of the editors, fifteen feet from the podium.

3. Determine your  conference goals ahead of time.

“Why are you here?” was the question posed in the Welcome Speech at the start of dinner.

“Why am I here?” I asked myself. I was excited to finally be at a writers’ conference, but what were my intentions? I had said to friends that I just wanted to look friendly and not spill my food, but deep down, I knew that my subconscious goal was to snag an agent.

As there was only one agent at the event, my chances were rather slim, but my subconscious didn’t care, and the agent happened to be eating dinner two people away from me. Unfortunately for me, he spent the evening in conversation with the man to his left, and I didn’t even have the nerve to make eye contact.

By the next morning, I had revised my goal to just say hi to him, which I managed to do.

Moral of the Story: Figure out before attending what your goals are, but be realistic and don’t forget to enjoy the moment.

4. Get the critique.

Frequently, conferences will afford the opportunity to have an editor or agent critique a portion of your manuscript, discuss the project with you and answer questions specific to your work. Even if you don’t agree with the advice, it gives you the chance to see your manuscript through the eyes of a professional, which is never a bad thing.

5. Tweet your conference plans (#conferencename) before you go.

I didn’t do this, but someone I follow did (@lkblackburne), and she happened to be going to the same conference! As a result of her tweet, I was able to meet her there and actually have a conversation – something of a rarity in the virtual world of social media. I also met someone else who follows her, and now we’re following each other, as well (@dotificus). It’s a small writing world, after all.

6. Bring along a sizeable carryall.

I happened upon a wonderful shoulder bag to carry at the conference, more than large enough to tote anything I might have needed. Some of it I was smart enough to bring along, such as several pens, a pad of paper for taking notes, and some simple business cards that included the title of my manuscript and the hook. Post-it notes came in handy, as did several copies of my first few pages along with the cover sheet to my manuscript.

I could have also used a mini stapler and some TicTacs, but next time I’ll know better.

7. Don’t be intimidated by the food.

Lunch at the conference involved the tallest sandwich I have ever seen, and the roll that encased it was firm enough that it didn’t flatten down when squeezed. I glanced around the table and saw that none of my nine companions had braved it. Every one of them had taken the top off and was politely sawing at the contents with a knife and fork. I tried that, but there was crispy bacon involved, so it wasn’t easy.

The pasta side salad and a small bowl of fresh fruit allowed me to contemplate the matter, and I ended up putting the lid back on and eating my lunch like the Earl of Sandwich intended. Delicious. And no one said a word. I think that they were all secretly jealous.

8. Don’t forget to have some fun.

Don’t miss the opportunity to make new connections outside the confines of the scheduled events. After the official program has ended Friday night, grab some of your new writing buddies and head on over to the hotel lounge. Bonus: If you stick to soft drinks, they are frequently on the house.

Previously: Conference Highlights/Helpful Hints: Part 1 – Agent/Editor advice

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Conference Highlights/Helpful Hints: Part 1

I promised this for last Monday, but I had a busy week. Better late than never! 😉

The Northern Ohio SCBWI conference was great. It was exactly what I had hoped it would be, a small, well-organized conference with interesting presenters and tasty food. I wasn’t sure how much I would actually learn, because I’ve spent the last year soaking up information about the writing biz, but there were all sorts of things I didn’t know, and I am definitely wiser for the experience. I would highly recommend this conference for writers and illustrators.

Here are a few helpful tips that I picked up over the course of an information-packed weekend:

1. Before sending off a query, MAKE SURE THAT YOU FOLLOW THE AGENCY’S SUBMISSION INSTRUCTIONS TO THE LETTER.

Agencies will commonly post guidelines for query submissions on their websites. If an author can’t invest the time to check an agency’s website for the proper parameters, why should an agent spend the time to read their submission? Hint: They won’t.

2. Don’t be afraid to be different.

Everybody knows when a trend has been done to death, but no one knows what the next big thing is going to be. Rather than trying to ride the coattails of the latest craze, it’s better to be brave and disregard what other people are writing. One needs to stay mindful of one’s audience, but it’s better to be a maverick than a copycat.

3. Small to medium publishing houses can be the best choice for new authors.

A common fantasy might be to sign with one of the Big Six and get a huge advance with lots of advertising, but in reality, the larger houses tend to focus on their established authors, and the little guy might not get everything he is looking for in terms of marketing or personalized attention. Small to medium houses, however, like the little guy. The advances might not be as big, but they tend to keep things in print longer, which translates into royalties.

4. Not every book has to start off with a bang.

A common recommendation online is that something dramatic needs to happen in the first few pages, or an agent will quit reading. I asked about this at the conference, and the agent replied that although he can pretty much tell if a book will be good by the end of the first page, some books don’t really take off until around page fifty, and that is perfectly acceptable.

5. Read, Read, Read.

Whatever your genre, get to know the market by reading, talking to librarians and teachers, volunteer at the library or get a part time job at a bookstore. When you think you have a good idea of what works, keep that at the back of your mind while you write.

Friday: Conference Highlights/Helpful Hints: Part Two – Attending a Conference

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Out of the Office

Friday evening I am going to my very first writer’s conference, hosted by the local chapter of the SCBWI (Society of Children’s Book Writers and Illustrators). It promises to be a smallish affair, but will have one big-name agent and several editors in attendance, with a good line-up of break-out sessions on Saturday. Sadly, I’m almost as excited about the dinner menu and the plated luncheon as I am about the event itself, but there it is.

As well as getting my manuscript into tip-top shape and putting a portfolio of artwork together for the Illustrator Showcase, I’m trying to pin down some of the more practical aspects of attending such an event. What does one wear? Should I add the book title and hook to my business cards? What about adding a gimmick (in the form of a cool origami corner bookmark) to each of the cards?

To get the answers to some of these questions, I posted the last three concerns to Agent Query Connect and got some good advice from conference veterans. (Business casual, the title and hook are a good idea, and if the bookmark might be more annoying than appealing, ditch it.) For the rest, I discovered a wonderful blog post written by Anne R. Allen, WRITERS CONFERENCE TIPS: 10 Dos and Don’ts, and a helpful interview by Ginny Wiehardt that provides an editor’s views on the subject.

In addition, I found a great leather bag to carry that has pockets for my laptop, manuscript samples and portfolio, in addition to room for normal purse items such as pens and makeup. It is black, with a zippered top and big silver buckles on the front. With it, I feel slightly invincible – not a bad quality to have when introducing oneself to intimidating people like agents and editors.

I would normally blog on Friday or Saturday, but since I’ll be at the conference then, I will let you know how things turned out on Monday. Have a great week! 🙂

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Blog BBQ This Weekend

Karen Jones Gowen is having a Blog BBQ this weekend. As you can tell from the comments on my previous post, I have already enjoyed a lot of new visitors from it, and can definitely recommend attending.

If you’re interested in participating, it continues through Labor Day, the more the merrier.

Here’s how:

Go to Karen’s blog (Coming Down the Mountain: From Reclusive Writer to Published Author) and “follow” her. Then leave a comment about what food you’d like to bring, mention the content/url of your blog, and invite others to come visit you. Go to the blogs of three other people who have also commented, say hi, and watch the visitors to your own blog pour in.

I’ve discovered several interesting blogs so far, and am heading back to the festivities as soon as I’ve posted this. Maybe I’ll see you there?

Have a great weekend!

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TMI

I had to stop while driving the other day to ask a stranger for directions, and quickly regretted it. The man was willing to help, but after telling me how to get where I was going, he added, “otherwise, you could take a left at the Walmart, go down over the bridge and and then take a right after about two miles. Then you take a quick left over the tracks and it’s just past the frontage road. There are fewer traffic lights that way. The bridge is normally out, but lately there hasn’t been any rain, and it’s open.” (Okay, this is not exactly what he said, but you get the gist of it.)

I thanked him with glazed eyes, trying to keep his original instructions straight in my brain. Amazingly, I got where I was going, no thanks to his confusing directions.

This experience put me in mind of a large number of writing samples that I’ve seen posted online. The story is there, and sometimes it’s not bad, but it is buried in details and extraneous words that require the reader to work to figure out what the author is trying to say.

I made that mistake, when writing the first draft of Jim and Jack. I wanted the reader to see things the same way I did, in order to provide a better understanding of the characters and the story. When I read it over the first time through, I had a lot of trimming to do.

The best way to recognize this “overwriting” is to read the work of authors who are not yet published. When encountered, the issue is so obvious that it is much easier to identify in one’s own work.

Each person has his/her own style, but clarity is something that all writers should strive for. Nothing is worse than having to re-read a passage because it is too convoluted to “get” the first time through. If an agent has to do much of that, the manuscript is going to get rejected.

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